In the concert on the second day, the above four pieces for the voice composed between the 1940s and the 1980s were performed by Ms. Morikawa from Berlin and the Ensemble Nomad from Tokyo.

Ms. Morikawa sang expressively the two works for soprano by Castiglioni and Berio. "Sequenza III" is a particularly demanding piece which requires singing in a variety of vocal expressions, sometimes almost beyond normal voicing.

The other two works are for instruments and the voice, which is treated as one of the instruments. Instead of singing normally, the voice joins in by reciting, hissing, shrieking, and the like. In "Living Room Music," four performers scattered on the stage uttering English words repeatedly, which sounded like rap music. In 'Exotica,' the six performers played ten different ethnic musical instruments. A mixture of the instruments and strange human voices gradually became completely harmonious in expressing both hustle and bustle and tranquility.

This program, part I and II altogether, was well-received by the audience that included art critics who came from all over Japan.